@Large: Ai Weiwei at Alcatraz, a potent and provocative installation at America's most notorious prison-turned-national-park embodies the idea that freedom of expression cannot be silenced. The seven installations in four separate buildings are integrated with the standard Alcatraz tour. Weiwei's work, however, transforms the crusty prison, confronting visitors with stark contrasts and bringing up questions about freedom and human rights.
|Sketched on location while visiting Beijing January 2015|
Because he cannot leave China, Weiwei used books, memoirs, & photos to study the Alcatraz prison site, mapping it's construction and layout while designing the exhibition. Weiwei's staff, park staff and local volunteers assembled the installations.
Weiwei uses the opportunity of the exhibition to speak to what happens when people lose the ability so speak freely and to bring the conversation to a broader audience. He researched political prisoners throughout the world and uses this opportunity to call them, their repression and their causes to our attention.
The theme of human rights, freedom of expression and the political repression of many countries, including the U.S., runs throughout the exhibition.
THE NEW INDUSTRIES BUILDING - the vast structure where inmates worked doing laundry for military bases and manufacturing goods for government use. The three most visually dramatic installations are in this building.
A traditional hand-painted silk Chinese Dragon kite seems to burst through the confinement; the head confronts you at the entrance and the body, hand-painted silk discs, winds through tall pillars contrasted by walls with peeling paint and exposed rusty pipes. Some silk discs display quotes from political prisoners including Weiwei.
|With Wind - Industries Building - Alcatraz|
The signature art piece of @Large: Ai Weiwei on Alcatraz, panels with 176 faces made of millions LEGOs cover the floor in a patchwork of color. Each face is the portrait of a real person who has had some experience with political imprisonment. Some are still imprisoned; some are now free: some deceased.
|Trace - the faces of more than 175 political prisoners constructed from LEGO bricks - Industries Building - Alcatraz|
|Trace - photo|
|Refraction - New Industries Building|
Prison cells, empty except a stool and headphones invite viewers to sit inside, getting a sense of imprisonment while listening to the recorded voices of political prisoners - those who have been detained for expressing their beliefs. Isolation and expression.
CELLHOUSE - HOSPITAL
This installation in the sterile psychiatric observation room resonates with chanting from both Tibetan monks and Native American tribes, drawing a direct correlation between Chinese and American governments' oppression of native people.
In 1957 Chairman Mao initiated the Hundred Flowers Campaign inviting the population to free expression of their ideas about the governing of China.
"The policy of letting a hundred flowers bloom and a hundred schools of thought contend is designed to promote the flourishing of the arts and the progress of science." (Wikipedia)
|Blossom - Cellhouse Hospital|
Weiwei's family was sent to Xinjiang Province, a remote area in western China. His father Ai Qing, once a lauded poet and scholar was forced to work daily cleaning communal toilets; their family ate seeds to survive. Knowing a bit of what his family experienced gives deeper understanding of Weiwei's crusade for free expression and human rights.
Blossom transforms fixtures - toilets, bathtubs, sinks with the installation of fragile, porcelain flowers alluding to the Hundred flowers Campaign and the possibility of transformation through free expression.
Again, a memory Ai Qing, Weiwei's father informed the last installation. While the family was still in the labor camps, his father received an anonymous postcard announcing the 30 year anniversary of one of his poems. His father was deeply touched knowing that he was remembered.
Yours Truly encourages viewers to participate in a global conversation and to act to let individual prisoners know they haven't been forgotten. You can choose from any number of postcards, each addressed to a specific prisoner, with a symbol of the country where that prisoner is detained. The cards are mailed to the individuals letting them know they are indeed remembered.
"The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill." - Ai Weiwei
|Alcatraz Island - near San Francisco|
The exhibition will close April 26, 2015.
In-depth information: AiWeiweiAlcatraz.org
Wow, Jane...what a great report on this exhibition, as well as giving us enough background to understand it! Thanks for sharing it. Love your sketches!!ReplyDelete
Sounds like an amazing exhibition! Great sketches, too!ReplyDelete